Landowski is one of the most influential post-Greimasian scholars who enriched Greimas’s model through his theory of regimes of meaning. Drawing on phenomenological philosophy, he deepened the Greimasian approach by linking meaning production to sensory perception and interaction. While Greimas, in Imperfect Meaning, introduced the regimes of programming and manipulation, Landowski expanded this framework by adding adjustment and accident, emphasizing affect, perception, and interaction as central to meaning formation. According to him, meaning emerges through regimes of meaning by moving beyond action toward passion and affective engagement. Based on Landowski’s model, the present study examines the novel Al-Farashat wa al-Ghilan by Ezzeddine Jelloudji and aims to provide a systematic analysis of the narrative. The research focuses on the relationships among actants, sensory and perceptual dimensions, and concepts such as subject, object, and interactive situations within the story. The findings show that the novel begins with a tense atmosphere as Serbian forces, in an unexpected accidental event, besiege Sarajevo and massacre civilians. Muhammad, the protagonist, represents a suppressed subject whose voice conveys the suffering of children and their forgotten dreams during war. As the narrative progresses, children become central as symbols of the homeland’s future, leading to a transformation of the subject into a value-object. The wise Sheikh employs programming and manipulation to propose migration to Albania but encounters obstacles. Eventually, with the emergence of a shared sense of satisfaction and Amir’s withdrawal from programming—following humanitarian efforts by Arab countries, particularly Qatar and Kuwait—the regime of adjustment is realized. Finally, through effective actions aimed at improving refugees’ conditions, Haj Ibrahim, as the principal subject, occupies the position of object.