Journal of Literary Criticism

Journal of Literary Criticism

Transrealism: A Method of Narrative (The World Treated as Mankind’s Plaything: A Transrealistic Reading of Kurt Vonnegut’s Cat’s Cradle)

Document Type : Original Article

Authors
1 Department of English Language and Literature, Golestan University, Gorgan, Iran
2 Department of English Language and Literature, Golestan University, Golestan , Iran
3 Department of English Language and Literature, Golestan University, Iran
Abstract
Regarding realism as a non-significant and marginal movement of contemporary literature, the authors tried to modify it. Coined and introduced by Rudy Rucker, transrealism is a postmodern movement that consists of fantasy and science-fiction elements as well as realistic features, not to mention that the realism which is used in transrealism is not the sheer one. Time travel, new inventions, alternative worlds, aliens and supernatural elements can be observed in transrealistic works. Satire is another pivotal element of transrealism alongside the aforementioned features. It is employed in order to criticize society and mankind’s follies. Metafiction is considered as a method of narrative in postmodern stories which is also observed in transrealistic works. In metafiction the narrator tries to indicate that the story is artificial. Kurt Vonnegut’s apocalyptic novel, Cat’s Cradle, can be regarded as a transrealistic literary work. It indicates elements of science-fiction, fantasy, as well as satire, and employs them as tools for repressing inhuman deeds. Employing science-fictional, fantasy and apocalyptic literature features, the transrealist author provides a nonrealistic atmosphere. Synchronically, it represents realism. This dichotomy generates an ambiguity and a suspension on the border between the nonrealistic and realistic world. This paper intends to examine the features of transrealism and its objectives in Kurt Vonnegut’s Cat’s Cradle. Besides, it attempts to demonstrate the diversity and complexity of the contemporary narratology by highlighting the narrative features of the very novel.
Keywords

- حرّی، ابوالفضل (1384). «نظریۀ شخصیت: واقع­گرایی در مقابل نشانه­شناسی». زیباشناخت.ش12. صص161-  199.
- حسن­پور آلاشتی، حسین و مریم احمدناطقی (1396). «کارکرد نظریۀ ʼزمان در روایتʻ ژرار ژنت در تحلیل رمان همسایه‌ها». مطالعات نظریه و انواع ادبی. ش5. صص7- 28.
- حسن­پور، هیوا و آزاده اسلامی (1395). «وحدت راوی­ها در رمان منِ او و خلق مضمون عرفانی (با تکیه بر مؤلفه­های پسامدرن)». ادبیات پارسی معاصر. ش3. صص۹۹- ۱۲۲.
- وانه­گت جونیر، کرت (1393). گهوارۀ گربه. ترجمۀ مهتاب کلانتری و منصوره وفایی. چ۳. تهران: ثالث.
- یزدانجو، پیام (1394). ادبیات پسامدرن. چ۵. تهران: نشر مرکز.
- یعقوبی جنبه­سرایی، پارسا و خدیجه محمدی (1396). «مستندنمایی و تعلیق مرز واقعیت و داستان در روایت­های پسامدرن (با تکیه بر رمان آزاده خانم و نویسنده­اش)». دوفصلنامۀ روایت­شناسی.ش2. صص157- 184.
- Abrams, M.H. and G.G. Harpham (2012). A Glossary of Literary Terms. 10th Edition. Boston: Cengage Learning.
- Babaee, R. et al. (2014). “The Tyranny of Cybernetics in Kurt Vonnegut’s Player Piano”. International Journal of Applied Linguistics & English Literature. Vol. 3. pp. 195-201.
- Baym, Nina (Ed.) (2003). The Norton Anthology of American Literature. 6th Edition. New York & London: W.W. Norton & Company. Inc.
- Booker, M.K. (2001). Monsters, Mushroom Clouds, and the Cold War:American science fiction and the roots of postmodernism, 1946- 1964. California: Greenwood Publishing Group.
- Borchardt, E. (2007). “Genetic Memory and Hermaphroditism: Trans- Realism in Eugenides’s Middlesex”. Faculty Working Papers. Paper 12.
- Broderick, D. (2000). Transrealist Fiction: Writing in the Slipstream of Science. London: Greenwood Publishing Group, Inc.
- Castro, J.L. (1994). “The Narrative Function of Kilgore Trout and His Fictional Works in Slaughterhouse- Five”. Revista Alicantina de Estudios Ingleses. Vol. 7. pp. 115-122.
- Evans, A.B. (1999). “The Origins of Science Fiction Criticism: From Kepler to Wells”. Science Fiction Studies. Vol. 26. pp. 163- 186.
- Farrell, S. E. (2008). Critical Companion to Kurt Vonnegut: A Literary Reference to His Life and Work. New York: Infobase Publishing. 
- Garcia, P. (2015). Space and the Postmodern Fantastic in Contemporary Literature. New York & London: Routledge.
- Genette, Gerard. (1980). Narrative Discourse. Trans. Jane E.lewin. Ithaca: Cornell University Press.
- Lee, C.T. (1991). “Fantasy and reality in Kurt Vonnegut’s slaughterhouse five”. English Language and Literature. Vol. 37. pp. 983-991.
- Nadernia, V. (2018). “Transrealism: In Pursuit of Social Change and Collective Justice in Huxley’s Brave New World”. 3L: The Southeast Asian Journal of English Language Studies. Vol. 24. pp. 71-81.
- Nandorfy, M.J. (1991). “Fantastic Literature and the Representation of Reality”. Vol. 16. pp. 99-112.
- Rodríguez, F.C. (1996). “There Is a Story to Go with every Figure in the Picture: Kurt Vonnegut Talks about Science, Fiction, and Dystopia”.  Atlantis. Vol. 18. pp. 477- 485.
- Rucker, R. (1983). “A Transrealist Manifesto”. The Bulletin of the Science Fiction Writers of America, 82. pp. 1-3.
 -_________ (2005). “Seek the Gnarl”. Journal of the Fantastic in the Arts. Vol. 16. pp. 6-20.
- __________ (2010). “New Futures in SF”. From www.rudyrucker.com [10 July 2018].
- Sieber, S.L. (2008). “Fantastic Interpretations of Time in Juan Rulfo’s Pedro Paramo, Julio Cortazar’s Rayuela and Jose Lezama Lima’s Paradiso: A Modern Continuity of the Baroque”. Hispania. Vol. 91. pp. 331-341.
- Stableford, B. (2005). The A to Z of Fantasy Literature. Lanham: The Scarecrow Press, Inc.
- Steble, J. (2015). “The Role of Science Fiction within the Fluidity of Slipstream Literature”. Acta Neophilologica. Vol. 48. pp. 67-86.
Volume 3, Issue 5
October 2019
Pages 69-49

  • Receive Date 17 February 2019
  • Revise Date 08 July 2019
  • Accept Date 11 July 2019