The aesthetic event determines the immersion of presence and, in the form of the sensory and direct co-presence of subjects and existence, forms the system of adaptation. In this work by Nader Ebrahimi, this process can be traced well. In this model, as the subject, experiences an adaptive interaction with Helia as the audience, which is transferred to the present through reminiscence. But this process does not lead to the perceptual-sensory ability and co-presence of the subjects, and as a result, love is presented as a threshold experience that does not lead to permanent union and, as a result, is accompanied by absence. In this research, the process of meaning-making in this novel is examined and analyzed in the form of introducing the aesthetic event pattern, and how the transition from the action system to the tensional and then the adaptive system, from place-based to spatial, from programmatic to event-based, and the formation of the event system are explained.The question of the research is also what narrative, symbolic, and textual mechanisms the signifying process of the experience of love is based on, and what discursive systems it forms the aim of the research is to show the different aspects of the signification and representation of love and how the pattern of aesthetic event is formed based on the semantic mechanisms of this work.